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Whoever was approaching, it
didn't sound like guards. Whoever it was, was talking to himself.
"Idiots. Building a data
center smack dab in the middle of Tornado Alley. Whose brilliant idea was
that?"
"Not me, dear boy," another voice answered.
Then Freedy realized it was the same voice, different tone.
"Yeah, well who axed
ya."
"Good thing the new monitor
arrived before the storm hit."
"You think?
Dumbshit."
The door started to open and
Freedy looked for somewhere to hide and realized it was useless. Instead,
he stood straight with his hands up, with what was undoubtedly a dumb smile on
his face.
A small pale man walked in,
carrying a large box and not looking up, still muttering to himself. He
was dressed in Levi's and a gray sweatshirt and his face showed the results of
the diet of food along the walls, being pockmarked by pimples and a sallow,
gaunt cast and bottle thick black glasses. He looked like a Mole, Freedy
thought.
As hard as it was to believe,
Freedy realized he lived here.
He shuffled toward the
workstation and almost ran into Freedy. He jumped back with a yelp,
dropping the box, which fortunately landed on the bedding and landed softly.
"Holy cow! Who are
you!"
"Hey, hey. I don't
mean any harm," Freedy said, soothingly.
The man was frightened, but he
couldn't seem to stay focused on Freedy. Even as he cried out, his eyes
were hungrily devouring the pictures on the monitors of the workstation as if
he couldn't help himself. He pushed past Freedy and tapped the screen
showing the scene above. "You're with this lot, ain't ya."
He looked at Freedy, but his
eyes were blurry, as if he was having a hard time seeing what was in front of
him, as if the visions on the screens were his only real reality.
His eyes kept being drawn back to the flickering images even as he spoke to
Freedy.
"Why'd you break in
here?"
The voice was slow, drawled out
as if the he was drunk. No...stoned. Freedy remembered his summer of
experimentation with drugs and half the guys he'd hung out with had sounded
like this.
"I didn't mean to
intrude," Freedy said. "I'm lost."
"No shit, Sherlock,"
the Moleman said. "But howd ya get lost?"
Freedy didn't really have an answer,
so he changed the subject.
"Do you live down
here?" Freedy asked.
"None of your bloody
business..." Moleman's voice changed in the middle to another
tone. "Yeah, I live down here. My name is Fallom."
"Now why'd you go and tell
him that?" Moleman said, peeved.
Freedy decided to try to appeal
to the more reasonable sounding of the two personalities. He tried to
sound calm, as if it was all just a big mistake, nothing to see here.
"Well, Fallom, my friends and I were taking a tour of the
facilities when the tornado hit. I got separated from the others..."
"Yeah, then why are these
guys being pinched, eh?"
Freedy was starting to realize
that he had appealed to the weaker of the two personalities. He tried a
different tact.
"Look, I was just
trying to escape the storm. I'll get out of your hair..." He
started to push past Fallom.
"Like hell ya will!"
Moleman screeched. He pulled a revolver from behind one of the keyboards
and waved it triumphantly.
"Now is that
necessary?" Fallom objected.
"Shut up." Moleman
said, into the air. Then he turned to Freedy, again trying to focus as if
Freedy was an illusion. "You ain't going nowhere, bub. I'm
going to have to rub you out. Can't let you tell anyone where I'm
hiding."
"I'm afraid I agree," Fallom said, sounding almost
regretful. "We are most vulnerable down here."
Freedy looked up to the ceiling
as if seeking help from above, and his eyes landed on the posters.
"You like old movies?"
he said aloud.
"Yeah, what's it to
you," Moleman said. "I love old movies," Fallom
rejoined.
"Probably haven't seen as
many as I have though," Freedy said, sounding regretful.
"You wanna bet?"
Moleman said. "I doubt that very much," said Fallom.
"I'll tell you what.
Let's play a game of movie trivia. I'll name a movie, and you have to
name either one of the stars or the director. If I win two out of three,
you let me go. If you win two out of three, you can "rub" me
out."
Both Moleman and Fallom seemed
excited by the prospect. "It has to be a talkie and it has to have
been released in the U.S.A.!"
"Fair enough," Freedy
said.
"O. K.! You start!
Freedy thought it likely that
Moleman/Fallom was stuck in the Golden Age of movies. He'd try something
from the 1970's, a movie he'd liked but no one else had.
"Quintet," he said.
Fallom didn't even
hesitate. "Paul Newman, directed by Robert Altman. Ask me
another!
"It's our turn,
dumbshit," the Moleman said, disgusted. His face took on a crafty
look.
"UP THE RIVER."
Oh, oh. Not a good
start. Freedy didn't have a clue. Was that the Animal House
knock-off? No, that was UP THE
CREEK. He pondered, decided he would try
to guess at least. His eyes landed on the posters again and he realized
there was a preponderance of one actor –
"Bogart."
The Moleman's face fell.
Freedy decided that both Moleman
and Fallom liked genre pictures, so he wracked his brain for a drama instead. Sometimes simple is best.
"INFAMOUS."
Moleman/Fallom paced the floor,
and Freedy knew he had him/them.
"No such movie!" the
Moleman finally exclaimed.
"Yes, starring Daniel
Craig, even," Freedy said, smugly.
"Very well, if you want to
play tough, I have a great one -- THE WEDDING MARCH."
Freedy had heard of the movie,
and thought it was probably an old one. Probably too old and it was never
shown on T.V. He cursed himself for getting into a game he couldn't
possible win. This guy -- these guys -- probably watched movies all
day, every day.
"I don't know," he
said, finally. "DeMille?"
"Directed by Eric von
Strohiem, starring Fay Wray!"
This was unfair, Freedy
thought. Two against one.
"My turn," he
said. What was the movie he'd watched by accident that time, that was
like a B-movie of a B-movie? Oh, yeah.
"I WAS A ZOMBIE FOR THE
F.B.I."
Both personalities made cogitating noises, but Freedy could tell right away they didn't know.
Both personalities made cogitating noises, but Freedy could tell right away they didn't know.
Follom said, "I
give up." Moleman snorted: "But part of this game is you have to know,
too." He looked blurrily at Freedy as if expecting him to
fail. Are we making up rules? Freedy wondered. But he had to admit,
it was a fair rule. Fortunately, the thing about the Zombie movie was, he'd only
remembered it because of the two actors with a memorable name who had never
starred in anything else.
"Oh, you mean Larry and
James Raspberry?"
Moleman looked disgusted, and
went to the monitors and looked up the movie. He turned around again, dejected.
"All right. You want
obscure movies? How about this one: THE RED COUCH."
Freedy's heart sank.
He didn't think he'd even heard of such a movie, much less watched it. He
wouldn't even bother a guess, since he didn't know what era it came out
of.
He stopped short.
Wait. What had their first answer been? 'No such movie?' Oh,
ho. So that's the way they were playing it!
"No such movie," he
said, knowing he was right and he was immediately rewarded by the Moleman's
curses. He was one up. All he needed was one more winner. But
what tact should he take? He'd tried old, he'd tried new. Drama's
and B-movies had worked, but frankly he was deficient in those as well
His hands went into his pocket
as he paced, and he could feel two flashdrives there. That was
weird. Where had the second one come
from?
"Two of them?" he said
aloud. He saw the thunderstruck look in Moleman/Fallom's face, and he
repeated it: "TWO OF THEM."
"I know that, I know
that!" Fallom said, excited. "It's a documentary, with Dan
Ackroyd and Bo Derek."
"No you fool!" Moleman
cried. "That's "JUST THE TWO OF US!"
"I win," Freedy said,
angling his way to the door.
"No!" Moleman
cried. "You cheated. I saw you fingering your pocket -- you
were talking about something in your pocket, and you took advantage of us -- me! Come
back here!"
Freedy ran out the door and into
the darkness. A couple of shots rang out, and a bullet sparked against
the wall next to him. He kept running.
"Come back here, you
cheater! Come back and play fair!"
1 comment:
Sorry about the change in looks. Lost my original post and this was the copy.
I'm about halfway to a real book here, in 14 days. So I'm doing the book in a month thing, just sorta straddling December instead of all in November.
If I could get away with a first draft book, more or less, I could write endlessly!
This one has a loose, easy quality that I like. But then, I always do like my first drafts, it's only later I have second thoughts.
But by now, the second thoughts should have appeared.
This is meant to be light -- meant to be a fast read.
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