I wrote a "made to order" chapter for "Takeover" yesterday, and I think it turned out fine. By "made to order" I mean a chapter that was dictated by the needs of the plot. I have about three chapters I need to fill in storyline that way, backdating them.
Then I move forward with the plot. It's all plot now.
But I spent the first 15K words just following the characters, setting the scene. Probably 15K words too many, in the modern parlance. All of it came spilling out without prompting. But it wasn't necessarily plot driven, or dictated by the needs to have action.
I'm sort of perturbed by the Michael Bay-zation of storytelling. Everything has to start with a bang now, even if artificially induced. Sometimes that works, but it needs to feel natural.
This seems to be the advice that everyone is following, demanding. Yet...if you really look at the good books, the successful books, many of them don't really do that. Because a good book is an original book, not a formulaic one.
In a recent book, I felt I needed to do that start with a bang thing ("write me 100 kickass pages!" says the bigly time agent) and it turned out terrible. Months later, I replaced that first chapter--with another action chapter, only this one worked.
I also seemed to be trapped by my walking process. I can't seem to write anything until I've walk a couple of miles into the middle of nowhere, sit down on a stump or a rock, and just lose myself. Inconvenient. I mean, sometimes I can get going at home, at the table or outside on the patio, but mostly it's like my subconscious won't produce unless I'm walking.
I'm up to 20K words in "Takeover." The Murder will happen around 25K words. The solving of the murder and the ending of the first takeover will happen around 35 to 40K words, then the real bad guys come in and I haven't gotten that far with the plot except to know that it will probably be all action after that. Try to get to 65 to 70K first draft, add my usual 15% with description, research tidbits, character development, and making things clearer.
This is the first book where I've tried to be completely serious all the way through. I can't help a little humor here and there, which is weird that I feel that compunction because I never set out to be funny, which is probably good because when I try to be funny, I ain't.
But nothing silly like a bulletproof Bigfoot costume and a Queen Snake. (And these were my previous "serious" books.)
And I've had the realization that I'm kidding myself about writing something "literary." I just don't have that in me, I think. I'm better off sticking to pure entertainment. That is a worthy goal and not easy to accomplish.
1 week ago