Saturday, December 19, 2015

An ending with impact.

Need to write the ending of The Darkness You Fear, either one or two chapters with a epilogue.

I want to tap into the emotional aspect as much as possible, so I'm going to write that stuff first. Just try to access the poetic, emotional part of my brain, then build the plot structure around it.

How do the ghosts affect each of the characters, especially Jonathan Meredith? How do I get into his brain? How do I show how everyone is affected, told from Virginia's point-of-view?

If I could figure out a mechanism to get into Jonathan Meredith's POV, it would be a lot easier. So far, I've been consistent about using written accounts for POV or else Virginia. So how does Jonathan get into that?

Maybe have him find one of the journals and pick it up and start writing himself? That seems unlikely.

I think I'm just going to have to break the template somehow. Somehow have Virginia imagine what he's thinking? Have her be able to read his mind as part of the Canowiki powers? Or have the ghosts tell her what's going on?

Something.  I'll write his POV first and figure out how to explain it later. Because without his POV I don't think the ending works.

I'm a few days behind on this. Plus, I'm really realizing this book is going to require extensive fleshing out. Fortunately, there is nothing really structurally or continuity wrong with the book, which is why most second drafts are necessary. This just needs to be fleshed out, not just with telling detail but with some emotional depth as well. I'll take as much time as is needed. An extra month, if needs be.

I'm reading James Lee Burke and he certainly has no trouble going into other character's POV even though he has a first-person narrator. He also has no problem musing on the moral implications of events and personalities.

I think I just need to reach for emotional truth and not over worry about the structural or plot problems. As long as I'm consistent, people can hang in there on the plot. But without feeling, all I've got is plot. This whole book has been strong on theme, and I've just had to find a plot to provide structure.

So, I'm going to spend the morning spinning out poetry and then find a way to make that work in the final chapter(s).

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