I hit 46,500 words on "Eden's Return" today with 5 days left in my writing period. I originally estimated that I'd finish up the first draft at 50,000, but I think it may end up closer to 55,000.
It was planned purposely short. The idea this time was to streamline the pace of the story and get it down. I have some philosophical concepts I'd like to play with and I figured the faster the story, the more weight it will hold.
That's the theory, anyway.
Every book is different. I mean, the process of thinking about today's writing, then going on an hour walk, where I stop every half mile or so and do some writing, then going back home and doing whatever embellishing I need to do--that hasn't changed. It's been very effective for me.
But this time I allowed myself more time between sessions. Basically, I'm spending almost 10 weeks for something that would usually take no more than 5 weeks. Mostly because I wanted each section to be natural, without being forced, so I decided I'd wait for inspiration.
I'm purposely leaving a lot for the second draft, whereas I usually try to get as much of the final book as I can in the first draft. In other words, I'm giving equal weight to the second draft.
I'm focused on the theme of this story more than anything. But the plot and characters need to naturally expose the theme, not be forced into convolutions.
This book has lots of potential if I can figure out how to bring some depth to it. I'm not sure if I have that depth. I've never been particularly subtle. If I have something to say, I just say it. I certainly have always relied on straightforward storytelling, and this time I'm being a bit more ambiguous.
Because the concepts I'm playing with are by their nature ambiguous.
Really great writing would have the philosophical concepts embodied by the language and actions of the characters.
I don't think I'm quite up to that, but I'm trying.
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